HapTone: the smart, accessible tuner for visually impaired musicians

HapTone is the first smart tuner truly built for blind and visually impaired musicians. Halfway between an adapted musical instrument and a connected device, it combines an ultra-precise audio sensor, an embedded microcontroller and multi-modal feedback — vibration, voice, sound — to make tuning reliable, fast and autonomous, without depending on any visual display.

This article is a project update as of May 2026. HapTone was first introduced in June 2025 in our founding article “Tune AI: the inclusive adapted tuner”; since then, the project has entered hardware and software prototyping in collaboration with Polytech’ Paris-Saclay. Two students from the school, Manuelle Wafeu and Yannis Ngako, supervised by Amine Khettat (CEO of Blind Systems, who proposed the project to the school), defended in April 2026 a mini-project dedicated to HapTone. They presented the functional architecture, hardware integration and signal-processing pipeline detailed below.

The problem: a simple gesture made inaccessible

Every consumer tuner relies on a needle, LEDs, or a screen. For a visually impaired musician, this closes off something essential: the ability to practise their instrument independently. The existing workarounds — smartphone apps with a screen reader, tuning by ear, or asking a sighted person — are slow, imprecise, or simply exhausting on a daily basis.

Tuning becomes especially difficult in noisy environments — rehearsal rooms, stages, music classrooms. Standard microphones pick up everything, and the tuner needle becomes unreadable just when you need it most. That is exactly the barrier HapTone sets out to remove.

Our solution: multi-sensory tuning

HapTone replaces the needle with three simultaneous feedback channels:

  • Haptic vibration — a vibration motor driven by a haptic driver, the DRV2605L from Texas Instruments, encodes pitch accuracy as distinct patterns (short pulse = too low, long pulse = too high, brief confirmed pulse = in tune).
  • Voice synthesis — the system announces the note name and the deviation in cents, through a speaker.
  • Audio tone — a continuous reference tone modulates its frequency depending on the deviation.

Sound acquisition: MEMS microphone or piezo sensor, your choice

  • 24-bit MEMS I2S microphone — standard acoustic capture, ideal for quiet environments, wind instruments and voice.
  • Piezoelectric sensor (SEN-VIB01) — direct contact with the instrument. Selected specifically for its robustness to ambient noise: it stays reliable on stage, in rehearsal rooms or in group classrooms.

Functional architecture

HapTone functional system architecture Five-stage block diagram. Stage 1 (Acquisition): two sensors selected based on environment, MEMS I2S microphone for standard acoustic use or SEN-VIB01 piezo sensor for noisy environments. Stage 2 (Conditioning and analog-to-digital conversion) integrated into the microcontroller. Stage 3 (Signal processing): YIN fundamental-frequency-detection algorithm running on a multi-core ESP32-S3 microcontroller under FreeRTOS. Stage 4 (Decision): closest note identified and deviation in cents computed. Stage 5 (Feedback): haptic feedback via DRV2605L vibration motor, voice feedback through speaker, and Bluetooth Wi-Fi link to a companion mobile app. Power from rechargeable USB-C Li-Ion battery. ACQUISITION (one of two) MEMS microphone 24-bit I2S · standard use — OR — Piezo sensor SEN-VIB01 · noise rejectionREAL-TIME PROCESSING ESP32-S3 microcontroller FreeRTOS multi-core Signal conditioning + ADC YIN pitch algorithm fundamental-frequency detection Decision: note + cents deviationUSER FEEDBACK Haptic feedback DRV2605L · short/long vibration Voice feedback synthesis + speaker Bluetooth / Wi-Fi link to companion mobile app Li-Ion 3.7 V power USB-C · charging · power saving Physical buttons tactile · accessible Mobile companion app iOS · Android · accessible
HapTone functional architecture — excerpted from the mini-project presented at Polytech’ Paris-Saclay (April 2026).

The system core is an ESP32-S3 microcontroller (from Espressif Systems), running FreeRTOS. End-to-end latency below 50 ms — essential so haptic feedback feels synchronous with the gesture.

Final product architecture: two paths under discussion

From an industrial standpoint, we are still weighing two final configurations for the tuner. This decision is not trivial: it will impact the retail price, the ergonomics and therefore the economic accessibility of the product. At Blind Systems we fight every day against the “expensive product for the disabled” fallacy — visual impairment must never be a reason to pay more.

Configuration A — Standalone tuner (built-in vibration motor and speaker)

Illustration: a blind musician sitting on a wooden stool, wraparound black sunglasses, blue T-shirt, dark jeans, holding a classical acoustic guitar in playing position. On the headstock, a yellow electronic clip with a black cable running down along the neck and connecting to a rectangular blue electronic device held in the musician's right hand on the guitar body. The device screen shows HapTone, two round yellow buttons at the bottom, and speaker vent holes. A stylised speech bubble appears near the musician's ear, and curved white lines around the device suggest vibration. Configuration A: standalone tuner with built-in vibration motor and speaker.
Configuration A — Standalone tuner: all user feedback (vibration, synthesized voice, audio tone) is built into the handheld unit, with no smartphone dependency.
  • Pros: no smartphone needed, instant power-on, fully autonomous, accessible to musicians who don’t own a smartphone (or don’t want to use one while playing).
  • Cons: bulkier housing, higher BOM cost (LRA motor + speaker + larger battery), more frequent recharging.

Configuration B — Minimal clip paired with a smartphone (Bluetooth)

Illustration: the same blind musician sitting on the same stool, holding the same acoustic guitar. On the headstock, a much smaller and flatter yellow clip with a glowing blue LED — no cable. In the musician's right hand, a modern smartphone facing the viewer, with a bright blue screen showing HapTone at the top, a large white letter A in the center, +5 cents below, and a horizontal yellow tuning bar. Between the clip and the phone, blue dotted concentric arcs with a Bluetooth icon at their center. A speech bubble appears near the musician's ear, and curved white lines around the phone suggest vibration. Configuration B: minimal clip connected to a smartphone via Bluetooth.
Configuration B — Clip + smartphone: the clip on the instrument is tiny and contains only the sensor. User feedback comes from the smartphone over Bluetooth.
  • Pros: tiny housing (sensor only), much lower BOM cost, the smartphone provides vibration and speaker, the dedicated app can evolve independently of the firmware.
  • Cons: smartphone required, Bluetooth pairing step, latency depends on the phone, the user depends on a third-party device to play.

Our current intuition leans toward a two-product line-upHapTone Solo in configuration A for those who want full autonomy, and HapTone Mini in configuration B for the lowest possible price. Before we commit, we are opening this discussion to the community: your feedback will weigh heavily. What you would say at the moment of buying matters more than anything.

Demo: piezo-sensor pitch detection

This first demo, recorded by the Polytech team, shows pitch detection through the piezo sensor in direct contact with a string.

Demo: MEMS I2S-microphone pitch detection

This second demo illustrates pitch detection in acoustic mode through a MEMS microphone, useful for wind instruments and voice.

Detection algorithm: YIN, chosen for robustness

Rather than combining multiple approaches, the Polytech team picked a single algorithm chosen specifically for its robustness: the YIN algorithm, published by Alain de Cheveigné and Hideki Kawahara in their landmark 2002 paper (JASA). YIN is significantly more robust to missing harmonics and noisy signals than a classical FFT — exactly the use case of a musician playing in real conditions. Its principle: difference function, cumulative mean normalisation, YIN thresholding (typically 0.1) and parabolic interpolation. From the detected frequency, the firmware identifies the closest tempered note (88 piano notes, A4 = 440 Hz) and computes the deviation in cents.

Who is it for?

  • Blind and visually impaired musicians.
  • Music students with adapted curricula.
  • Professionals in noisy environments (stage, studio, rehearsal room).
  • Inclusive music education teachers and institutions.

Development status

HapTone is currently a working prototype, validating the acquisition stack (MEMS microphone and piezo sensor), the YIN detection pipeline and the haptic feedback. Next steps: pick configuration A or B (or both), PCB industrialisation, enclosure, companion mobile app, CE certification, and broader user testing.

Open source: building it together

HapTone is a fully open-source project. Schematics, firmware, 3D enclosure models and technical documentation are published on GitHub.

⭐ Explore the project on GitHub

Join us: contributors, volunteers and patrons

  • Embedded developers (ESP-IDF, FreeRTOS, DSP)
  • Hardware designers (PCB, enclosure, mechatronics)
  • Mobile developers (iOS, Android, accessibility)
  • Musician testers
  • Patrons and institutional partners — HapTone is currently personally funded by Amine Khettat (CEO of Blind Systems), pending support from patrons or institutional grants. Your contribution will help accelerate industrialisation and deployment to schools and conservatories.
  • Communication, translation and documentation volunteers

Four ways to reach us — pick the one you prefer:

💬 GitHub Discussions 🛠️ Open an issue ✉️ contact@blindsystems.org 📝 Contact form

Tell us about your background, your availability and how you would like to contribute — we will get back to you quickly.

HapTone is a project by Blind Systems, an organisation dedicated to digital accessibility for blind and visually impaired people, run in collaboration with Polytech’ Paris-Saclay. Inclusion in action, innovation through passion.

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